Jonas Mekas: ‘I have a need to film small, almost invisible daily moment...
The legendary independent film-maker talks about avant garde, utopia, his latest projects, the impor...
Jennifer Campbell and Chloë Manasseh: ‘We’re both interested in the t...
The artists talk about how they explore the conflicting psychological and physical states of being ...
Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...
The artist explains some of his performances, his interest in intervening in monuments in public spa...
Hank Willis Thomas: ‘Ideas crop up out of thin air, like bubbles, and I...
The artist talks about grabbing people’s attention to make them think about things they normally w...
From kayaks filled with scotch to empty boots on a ladder, Signer has a lightness of touch and misch...
Tadeusz Kantor: Inbetween Structures
As two exhibitions celebrate the centenary of the birth of Polish artist and theatre director Tadeus...
Anna Dumitriu: ‘Bacteria are living organisms that you can work with –...
Not many artists would want to work with bacteria, smelly faecal transplants or anthrax, but Dumitri...
Construction Industry: Contemporary Assemblage, Construction and Relief
This group exhibition makes a strong case that assemblage – as an art form – is still influentia...
Derek Michael Besant: ‘A stitching together of each person’s voice all...
The artist talks about his project, which involved 50 strangers from Scotland’s capital city sendi...
My Dear BB … The Letters of Bernard Berenson and Kenneth Clark, 1925-1959
The 34-year correspondence between two legends of the Anglo-American art world evokes the life and t...
The German photographer known for his forward thinking and experimentation has gone back in time for...
Vincent Meessen: ‘In the western world, we still think that we created e...
Eleven artists come together to reflect on colonialism and its aftermath in a complex, multimedia, c...
‘Oswaldo Vigas said he found the root of his work in ancient culture’
At an exhibition of Oswaldo Vigas’s work in Bogotá, his son Lorenzo talked about his father’s l...
Facing History: Contemporary Portraiture
This show looks at how contemporary artists are influenced by the past as they seek to represent the...
Larry Bell: ‘You have to trust what you’re doing, to trust the work’
The artist discusses his latest solo exhibition, at the White Cube gallery, the spontaneity that occ...
Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...
With his sailing background, Charles Lim explains, he sees the sea as ‘just an office’. His 10-y...
-2-300.jpg)
Nathan Coley: ‘I’m the travelling storyteller who’s come to town for...
Nathan Coley tells the stories behind his two text-light sculptures in the Bruges Triennial, peeling...
Research into dwellings of the future is under way in Hokkaido, the most northerly island in Japan, ...
HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...
Helen Evans, half of the artistic duo known as HeHe, speaks about their current work for the Bruges ...
Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the A...
Echigo Tsumari Art Triennale 2015
Japan’s contemporary art festival, the Echigo-Tsumari Art Triennale, despite being held in a regio...
Charles Gaines: ‘I am dealing in the area of how meaning is formed’
The US conceptual artist and educator talks about why he believes art should be interested in knowle...
This solo exhibition is made up of two bodies of work first conceived near the start of Lee’s care...
The boys the girls and the political
The Lisson Gallery’s summer show takes a linguistic turn while tapping into the trends of the netw...
-300.jpg)
Yoshihito Mizuuchi: ‘Eating noodle soup makes a sound, but it’s also l...
The process of making a sculpture is a performance art in itself, says the Japanese artist, who expl...
Art in Dialogue: Duccio | Caro
Bringing together a medieval Sienese altarpiece fragment and a late-20th-century abstract sculpture,...
Toni Scott: ‘People don’t understand that what’s in the past is stil...
The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...
Eloise Hawser: ‘This machine is all about contact and resistance’
The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...
Lebanese artist and musician Raed Yassin displays his magnetic, humorous and moving works in the eve...
This unmissable two-venue retrospective of Anthony Caro’s work encompasses everything from his vas...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|