logo studio international

Celia Pym: ‘I didn’t ever see the point of invisible mending’

Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...

<

Jane Irish: ‘There is a critical strain about the anti-war movement that...

For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...

<

Paul Maheke: ‘Michael Jackson is the reason I dance. And Felix Gonzalez-...

Through installation, sound, film and dance, Paul Maheke's work explores gender and racial stereotyp...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of be...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of beauty’ For his current...

Zuzanna Czebatul: ‘People have to talk and dance with each other’

The artist talks about tigers, tarot cards, the vast carpet she made for this year’s Art Cologne a...

Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...

Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and...

Inti Guerrero: ‘I am trying not to fall into the cultural production and...

The curator of this year’s EVA International, Ireland’s biennial, talks about how the country’...

<

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

Bristol based artist Mariele Neudecker talks about how Cern inspires her, why you shouldn’t call h...

Nancy Fouts: ‘I once made a slingshot out of Jesus and had his head worn...

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flow...

Phillip K Smith III: ‘The earth and the sky are the things that bind us...

As he prepares to mount an illusionistic new installation in Milan, the American space and light art...

José Parlá: ‘It challenges me to work against the grain of the status ...

For his most ambitious project to date, commissioned by the Landmarks public art programme at the Un...

<

Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...

The artist and set designer discusses casting her mother’s breasts for one of her nipple urns, bre...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...

<

Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...

For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...

<

Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...

Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...

Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...

The pioneer of immersive, sculptural light installations explains his process and procedures, intere...

Sam Stewart: ‘From a psychological perspective, working in someone's hom...

For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...

Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...

Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...



studio international logo
Copyright © 1893–2018 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA