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Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Com...

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Yuko Mohri: ‘I’m very curious about organic ecosystems’

The Japanese artist Yuko Mohri’s exhibition at White Rainbow is...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied b...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public ...

Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital&...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, e...

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Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fic...

Linda Stupart: ‘I’m interested in thinking about a world without men’

The writer, sculptor and performance artist talks about...

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Ira...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, h...

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Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...

For his current exhibition at Jack Shainman Gallery in ...

Aki Sasamoto: ‘I enjoy how much I can push meaning with the wrong answer...

New York-based performance artist Aki Sasamoto has a te...

Maria Nepomuceno: ‘I want to create a place where people can be suspende...

The Brazilian artist talks about her fascination with h...

Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which...

Susannah Stark: ‘I like to create something that bears the trace of mult...

The artists talks about cultural memories, Spolia, swam...

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Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract...

Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...

The Brussels-born artist discusses reconstructing old p...

Mette Edvardsen: ‘If forgetting is important, then so is remembering’

The dancer, choreographer and performer talks about memor...

Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beij...

Bloomberg New Contemporaries 2016

Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to th...

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George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and instal...

Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where our consum...

Seungjo Jeong: interview

South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between viewer...

Fabienne Verdier: ‘I am an intrepid woman, a bit of a rebel maybe’

Verdier explains her unique method of vertical painting, usi...

Roger Hiorns: ‘It isn’t enough to put an artwork in the world. You hav...

Roger Hiorns explains his methods of exploration and ex...

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Sophie Jung: ‘I don’t trust language’

The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwr...

Karen Russo: ‘I’ve always liked the idea of making films that were som...

The artists talks about her two most recent films, Haus...

David Kohn: ‘In trying to broaden what architecture could be, it feels l...

From a house extension modelled on a fox, to a new quad...

Emma Elliott: ‘Being human is the most important thing. Just being human...

The Passion For Freedom ambassador talks about her curr...



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