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Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

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Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...

Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

Robert Longo: ‘I’m making artworks out of dust’

At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...

Ross Birrell: ‘I saw a possible way to draw a relationship between art a...

Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...

Lucas Arruda: ‘The only reason to call my works landscapes is cultural’

On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...

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José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Peter Halstead: ‘People should have their own personal adventure with sc...

Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

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Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

Chris Alton: ‘By bringing different artists together, there is the possi...

Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...

Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

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Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...

Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...

Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...

Julián Zugazagoitia: ‘Museums should generate interest and open a door ...

Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

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Lluís Lleó: ‘It was important to me that the sandstone came from Spain...

Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired ...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was p...

Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery ...

Laura Youngson Coll: ‘The real catharsis was in the making process, beca...

Expanding on her fascination with the world of nature and natural sciences, Laura Youngson Coll has ...

Vic McEwan: ‘I played a paddle-steamer to an audience of 1,000 and used ...

The artist Vic McEwan talks about his project on the swan hoppers of the Murrumbidgee river in Austr...

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Jesse Jones: Tremble Tremble – Venice Biennale 2017

Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...

Alexandra Dementieva: ‘All art is an interactive game. I am offering the...

Don’t come to Alexandra Dementieva’s exhibition with the hope of being a passive spectator. As s...

Evgenia Arbugaeva: ‘I’m always making up stories and believing in magi...

Russian photographer Evgenia Arbugaeva spins gold from the light of desolate places, finding beauty ...

Afruz Amighi: ‘I wanted to make a procession of characters that embodied...

In No More Disguise, Afruz Amighi’s first show of drawings, the New York-based artist discusses th...



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