Clare Patey – interview: ‘People don’t take humour seriously enough...

Clare Patey talks about 25 years of creating and producing powerful, participatory, public artworks ...

Art for SDGs: Kitakyushu Art Festival – Imagining Our Future

The premise of this 11-day festival is that art can draw attention to the state of our planet and pr...

Markus Lüpertz: Recent Paintings

A suite of new works by the German painter Markus Lüpertz, exploring the theme of Arcadia, mix insc...

Mika Tajima: Regulation

For her debut solo exhibition in the UK, the New York-based artist Mika Tajima focuses on the ways i...

Rubens to Sickert: The Study of Drawing

With a wide range of drawings, including works by Rubens, Charles Keene, Sickert and Whistler, this ...

Hurvin Anderson – interview: ‘I am looking at where things collide, ho...

The unsettling depictions of nature in Hurvin Anderson’s new paintings, based on photos from a 201...

Jadé Fadojutimi – interview: ‘I bathe in the conversations between co...

Jadé Fadojutimi talks about how lockdown enriched her practice, her obsession with Japan, her Liver...

Armin Linke – interview: ‘We have to look at different categories of p...

The film-maker and photographer discusses recording the evolution of human-environment relations, th...

Modal Painting

Through the works of Frank Bowling, John Hoyland, Reginald Sylvester II, John Golding and Sam Gillia...

Ayashii: Decadent and Grotesque Images of Beauty in Modern Japanese Art

This exhibition explores Japanese artists’ notion of beauty in the late-18th to the early 20th cen...

Off the Record

Twelve artists feature in this show, with works that examine the nature of official records and how ...

Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a...

Rachel Whiteread, whose new show is at the Gagosian in London, talks about the pandemic, dump-diggin...

The Essential Louis Kahn – book review

A photographic cornucopia of Kahn’s buildings, this highly visual publications takes its reader on...

Private art museums – ‘I like to collect by myself and make decisions ...

It takes more than wealth and success to run a museum, so why do so many collectors decide to go it ...

Artes Mundi 9

The six shortlisted artists for 2021 explore colonialism, environmental breakdown and contentious hi...

Frick Madison provides temporary home for the Frick Collection

The superstars have been realigned as the old Whitney Breuer hosts the Frick Collection with surpris...

Mohamed Bourouissa – interview: ‘I see art as a playground’

Ahead of Mohamed Bourouissa's survey exhibition at Goldsmiths Centre for Contemporary Art, the Paris...

Valerie Hird: What Did Happen to Alice; My Avatar

Valerie Hird’s exhibition includes her award-winning animated short film along with interactive st...

Grief and Grievance: Art and Mourning in America

Full of the pain of black experience, the works here make the galleries thrum and shimmer with energ...

The Art Museum in Modern Times – book review

Charles Saumarez Smith, a former director of London’s National Portrait Gallery and the National G...

Destination Art – book review

Indulge in some armchair escapism and travel to deserts forests and ghost towns, as art historian Am...

Philip Hughes – interview: ‘Drawing captures the memory of a place lik...

Philip Hughes talks about his practice and what informed his new book, Painting the Ancient Land of ...

Anne Hardy – interview: ‘I’m interested in residues, leftovers, stra...

Anne Hardy talks about her new series of photograms, now online at Maureen Paley’s Studio M, how l...

Claire Ashley – interview: ‘I’m not an artist who is scared about th...

Claire Ashley makes vast colourful, oddball inflatables. Ashley talks about giving life to these cha...