logo studio international

Andy Warhol – Ai Weiwei

This exhibition of more than 300 works explores the formal similarities and conceptual differences b...

<

Kiki Kogelnik: Works from 1962-68

With her joyful neon palette and playful style, Kogelnik is often considered Austria’s pre-eminent...

Sergio Caballero: ‘I’m interested in the creative process. I couldn’...

The Spanish artist, composer, film-maker and director of Barcelona’s Sónar Festival talks about h...

Delacroix and the Rise of Modern Art

This exhibition includes some beautiful and touching examples of artistic hero worship, but the unde...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice, the multidisciplinary artis...

Andrea Ponsi: ‘I draw, therefore I am’

The architect, designer, writer and painter on how he went from building his own shelter in a South ...

<

Joachim Koester: The Other Side of the Sky

With works by JMW Turner and constant reference to the surrealist artist Henri Michaux, Koester take...

Botticelli and Treasures from the Hamilton Collection

Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal the show in this exhibiti...

Chillida: Rhythm–Time–Silence

Three monumental sculptures of corten steel and granite, made in the closing years of Spanish artist...

Chantal Joffe: ‘I want to make the painting feel like the person’

The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...

Conrad Shawcross: ‘It looks like a wonder of the world’

Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...

<

Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...

Anri Sala: Answer Me

Sound, music and history are brought together in this comprehensive look at Sala’s work, which inc...

Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...

Nikolai Astrup: Painting Norway

Astrup described himself as a naive naturalist painter, and his richly colourful landscapes are pote...

Maha Malluh: ‘I don’t see the point in creating new objects while we h...

The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...

<

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Betty Woodman: Theatre of the Domestic

Breaking the boundaries between 2D and 3D works, Betty Woodman’s ceramic assemblages resemble stag...

Jerwood Encounters: Common Property

Through the work of six artists, including three new commissions, this exhibition looks at the thorn...

Kaleidoscope: The Indivisible Present

In the first of its exhibitions to celebrate its 50th birthday, the museum focuses on the examinatio...

Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...

<

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...

Simon Fujiwara: White Day

A Harvey Nichols paper bag, a single branch from a plum tree and a pile of shaved fur coatsare some ...

Art into Society – Society into Art: Seven German Artists

By revisiting a key exhibition of German artists from 1974, the ICA reflects on art, its relationshi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

<

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorising” and “recording” objects in copper w...

Maud Sulter, Syrcas

The Scottish-Ghanaian artist placed black women at the centre of the frame, metaphorically and liter...

Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...



studio international logo
Copyright © 1893–2018 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA