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Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...

The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...

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Jess Johnson: ‘My work is a visual stew’

The fantastical world of Jess Johnson has arrived in Edinburgh, in the artist’s first solo exhibit...

Clare Jarrett: ‘It’s almost as though the work is already there somewh...

The Norwich-based artist talks about her recent residency at the Barbershop in Norwich, and her prac...

Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...

Forest of Expression: Art as a Communal Act

Eight projects explore how art and expressing ideas and emotions can help those on the fringes of so...

History Machines by Donovan & Siegel

Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in communi...

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Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’

The artist talks about being any angry young artist, his earlier determination not to be viewed as a...

Mårten Lange: ‘I wanted to make a story about something beyond the reac...

The photographer talks about his lifelong fascination with prehistory and his latest photobook, Chic...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...

Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...

The Chinese artist is admired for his abstract ink paintings. Here, he explains how a visit to the U...

Megan Rooney: ‘My mother taught me how to be a maker’

The artist talks about working with clay, birdseed, lipstick and papier-mache and about excess, drau...

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The Ars Electronica Festival 2016: Radical Atoms and the Alchemists of our...

This year’s festival includes more than 30 exhibitions, around 20 concerts and visual art and soun...

Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...

The American film-maker and art historian discusses her remarkable body of documentaries on art, inc...

Regine Bartsch: ‘I’m drawn to these places where many people have live...

In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...

Noble Prospects: Capability Brown and the Yorkshire Landscape

To mark the 300th anniversary of the birth of the great 18th-century landscape gardener, this exhibi...

Katie Schwab: ‘I like the idea that works can begin to generate their ow...

Keen to learn traditional, craft-based skills, the artist explains why she is drawn to processes whe...

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SFMOMA’s extension: a new visual vocabulary

With Snøhetta’s new building now open, SFMOMA has more exhibition space than Manhattan’s MoMA, ...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave decision to ...

Setouchi Triennale 2016

Once every three years, the islands of Japan’s Seto Inland Sea are transformed by an influx of art...

Kienholz: Five Car Stud

Even with its harrowing subject matter, Edward Kienholz’s controversial civil rights work deserves...

The Neo Naturists

Disaffected by the politics of Thatcherism and an art world overtaken by masculine neo-expressionism...

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Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...

Paula Modersohn-Becker: An Intensely Artistic Eye

Following the artist’s progress from a small German artists’ community to the bright lights of P...

Daniel Sinsel

A pulse of eroticism runs through this collection of Sinsel’s new work, as he teases the distincti...

The world is yours, as well as ours

This exhibition takes the visitor on a whirlwind tour of some of China’s most recent abstract work...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...

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The New Blockheads

This retrospective looks at the work of a group of performance artists from St Petersburg in the lat...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artists talks about growing up among scientists, what drew him to work...

9th Berlin Biennale for Contemporary Art (BB9): The Present in Drag

Mixing physical locations with digital content, The Present in Drag is a brilliant parody that build...

Georgia O’Keeffe

Tainted by the myth of erotic undertones, O’Keeffe’s work is shown by this long overdue retrospe...



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