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Published  30/11/-0001
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Hervé Télémaque: A Hopscotch of the Mind

Colonialism, racism and politics dominate the works in Hervé Télémaque’s intriguing, though oft...

Reflections: The Light and Life of John Henry Lorimer (1856-1936)

John Henry Lorimer’s quiet craftsmanship and extraordinary handling of light shine through in this...

Suzanne Valadon: Model, Painter, Rebel

Born into poverty, this extraordinary and spirited woman rose to become a critically acclaimed paint...

Christiane Baumgartner – interview: ‘A good piece of work should not b...

Christiane Baumgartner talks about being brought up in East Germany before the fall of the Berlin Wa...

John Abell – interview: ‘I see my work as a type of devotional art’

John Abell talks about Welsh mythology, poets and nationalism, moving between linocut and painting, ...

Nika Neelova – interview: ‘Everything in the world around us is consta...

Nika Neelova talks about how her multilingual upbringing may have shaped her thoughts and her work, ...

Jean-Michel Othoniel: The Narcissus Theorem

This show, based on work Othoniel has done with the mathematician Aubin Arroyo, weaves a spell of en...

Mark Rothko 1968: Clearing Away

A minutely focused show captures Mark Rothko, the great colour-field painter, at his most intimate a...

Petrit Halilaj: Very Volcanic Over This Green Feather

Petrit Halilaj is now a renowned artist who has shown around the world, but this poignant exhibition...

Women in Abstraction

With more than 100 artists and about 400 works, this huge, inclusive show celebrates women whose art...

Emeka Ogboh – interview: ‘I want listeners to be transported to Lagos....

As his latest show, at the Gropius Bau in Berlin, explores his Igbo heritage, Emeka Ogboh explains w...

Objects of Common Interest: Hard, Soft, and All Lit Up with Nowhere to Go

In this collaborative show, the Greek architects Eleni Petaloti and Leonidas Trampoukis insert fasci...

Laura Knight: A Panoramic View

With more than 160 works, this ambitious retrospective highlights Laura Knight’s considerable achi...

Rhythm and Geometry: Constructivist Art in Britain since 1951

There is some compelling work here, but this could have been a chance to see a century of revolution...

Margaret Mellis: Modernist Constructs

In this small but inspiring exhibition of work by Margaret Mellis, an unfairly overlooked member of ...

Lucy Stein: Wet Room

Made during pregnancy and the Covid pandemic, these new works explore motherhood, goddess culture an...

Jordan Casteel: There Is a Season

To enter this show is to enter Casteel’s world. Drawn in by her monumental portraits of often marg...

Jacqueline de Jong – interview: ‘I never compromise, no way. I could n...

With the opening of her first major UK solo show in her 60-year career, De Jong talks about her time...

Angelica Mesiti: In the Round

Mesiti skilfully choreographs our experiences, guiding us around the gallery and immersing us in the...

Emma Cousin: Game Face

Cousin’s paintings are named after childhood games, but the contorted life-sized figures and faces...

Gerhard Richter: Drawings 1999-2021

In Gerhard Richter's first major London show in a decade, including more than 60 recent works, he de...

Sarah Sze

The boundaries between painting and sculpture are blurred in Sze’s works, where pictures within pi...

Surrealism Beyond Borders

For three months in New York, and then at the Tate Modern, visitors will be treated to that increasi...

Bourse de Commerce, the new François Pinault Art Museum in Paris

Tadao Ando’s renovation of this majestic building in the heart of Paris, and the appointment of Em...

Catsou Roberts – interview: ‘It is our duty to the NHS to elicit the p...

Catsou Roberts, the director of Vital Arts, which commissions projects for five London hospitals, ta...

Mixing It Up: Painting Today

In an uplifting show that is dizzying in its scope and variety, 31 contemporary artists celebrate di...

Helsinki Biennial and Helsinki Design Week

For 2021, the inaugural Helsinki Biennial and Helsinki Design Week wore their hearts on their sleeve...

Phyllis Christopher – interview: ‘We had come out, people were dying, ...

The photographer talks about her coming of age in 1990s San Francisco, where, despite the Aids crisi...

Restitution: The Return of Cultural Artefacts – book review

As western nations increasingly give consideration to the repatriation of stolen artefacts, cultural...

Noguchi

Aiming to bring sculpture into people’s everyday lives, Noguchi mixed cultural traditions with mod...

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