Michael Andrews: Earth Air Water

Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...

Revolution: Russian Art 1917-1932

The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue b...

Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...

Gluck and Modern British Women

During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...

House Work

The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...

The Place Is Here

The 1980s were a fertile time for black British artists to interrogate their experience of racial di...

David Hockney

Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...

Yuko Mohri: 'I’m very curious about organic ecosystems'

Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied biology rather than art, how her scientific ba...

Bouchra Khalili

In her first solo UK exhibition, French-Moroccan artist Bouchra Khalili explores the fraught concept...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...

Conceptual Art Now

Three exhibitions of conceptual art in Germany shed some light on the elusive genre. Taryn Simon’s...

Sussex Modernism: Retreat and Rebellion

Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...

Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...

John Baldessari: Miró and Life in General

As he continues his late-career conversation with art history, the archetypical Californian conceptu...

TeamLab: Transcending Boundaries

If there were a happiness index for exhibitions, then teamLab: Transcending Boundaries would score a...

Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fictional narrative The Crystal Frontier, h...

Jamie Crewe: Female Executioner

Seeking ancestry in a controversial and pornographic 19th-century French novel, this queer, transfem...

David Brian Smith: ‘My cause is to fight for the plight of the English c...

The painter’s pop-coloured vision of the English countryside belies a sad truth, but as Smith demo...

One and Other

The Zabludowicz Collection sets the stage for a shrewd reflection on the real versus the created sel...

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...

Terrains of the Body: Photography from the National Museum of Women in the...

Building on the legacy of feminist art from the 1970s, this exhibition includes photographic and vid...