Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinator, and making material things do things they don’t want to.
The Scottish painter’s latest works are as beautiful as ever, but exhibit a newfound looseness, playfulness and sense of violence.
The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccupation with beauty, and the desire to share his country’s pain with viewers.
Jean Nouvel has conceived a masterful new structure for the Louvre Abu Dhabi, at once utterly modern in its technical and environmental specifications, but beautifully attuned to the ancient Arabic sense of place, and affinities with geometry and astronomy.
Revoliutsiia! Demonstratsiia! joins an effort by progressive cultural institutions to mark the centenary of the October Revolution, an event that shook the world.
The octogenarian painter’s enormous, unpredictable canvases are by turns joyful and fearsome, introvert and extrovert, ordered and chaotic.
This is a rich and expansive retrospective of Schneemann’s work over the past six decades.
Mammen wanted to be “a pair of eyes, walking through the world unseen, only to be able to see others”. This retrospective, although stretching beyond the best period of her observational work in the Berlin of the 20s, offers visitors a chance to see through her eyes.
This extraordinary retrospective unites Modigliani’s portraits and sculpture with the largest collection of his nude paintings ever shown together in the UK, as well as allowing visitors a virtual reality tour of the artist’s Paris studio.
Herrera’s abstract, geometric paintings pulse with life in this solo show. She was discovered late – she sold her first painting in 2004, at the age of 89 – and her work has a concentrated intensity that speaks of many decades of quiet, unsung dedication.
The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Superfictions, and the artists who have influenced him.
Greek artist Sofia Stevi’s paintings ooze confidence, sensuality and an improvisational spontaneity. Yet her flair and inventiveness with a paintbrush are something of a recent discovery – to Stevi as well as to the rest of us.
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, moving image, installation, text and sound, and has a particular interest in the political and creative potency of archives within contemporary culture. She has had solo and group shows in the UK, Germany, the US, India and the Middle East, and has participated in several residencies.
The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first published in July 1968 to accompany the ICA exhibition of the same name curated by Jasia Reichardt. Both the publication and the exhibition are now legendary.
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political situation in his country today.
It was all systems go – quality art, media buzz, more space, more work – but with a lower attendance and many big collector names absent, America’s premier art fair had a last hurrah undertow.
The British artist discusses a series of 1970s collages that launched his career, and which have been brought together for an exhibition in New York.
Art critic Clement Greenberg coined the term ‘post-painterly abstraction’ to describe the work of the five artists in this exhibition – Morris Louis, Ed Clark, Sam Gilliam, Frank Bowling and Kenneth Noland – yet, until recently, many of them haven’t received the recognition they deserve.
Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lies a pervading tension. She talks about how life and death in the natural world informs her practice.
At the Danielle Arnaud gallery in London, Louisa Fairclough’s exhibition A Song Cycle for the Ruins of a Psychiatric Unit uses a derelict mental hospital as metaphor for the turmoil of psychological trauma.
A museum committed to the art of the American South presents an exhibition that highlights the contributions of postwar and contemporary African-American artists in order to assert their place within mainstream modernist narratives.
This exhibition sets out to explore the significance of life drawing and the life class in art practice, but the real joy of drawing is largely overlooked.
This powerful show fuses art and music in an attempt to open ears and eyes to life in the Arab world.
As 2017 Museum Gift of the Year, Studio International has chosen the Tibetan Buddhist Shrine, a magnificent donation by Dr Alice Kandell of more than 200 precious Buddhist artefacts to the Arthur M Sackler Gallery in Washington DC.
Moving to Los Angeles at 19, having grown up in Oklahoma City, Ed Ruscha was always an outsider. His detached perspective is a quality that has remained in his work – which would become so concerned with the city – over the decades that followed.
Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other dimensions.
After more than two years and a $12m makeover by architects David Gauld with Arata Isozaki, the Miami Beach museum of art has opened its doors once again. It’s more spacious and welcoming and has some ambitious work on show.
Japanese artist Yayoi Kusama, famous for her polka dots and pumpkins, opened her own museum in Tokyo in October, where she can permanently show her works and promote her message of world peace and love for humanity.
William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dadaists and interpreting the world.
The artist talks about her continuing connection with the sculptures of Barbara Hepworth, and how her interest in psychological trauma, and her own family history, has shaped her art.